You have known?ドラムと言えば…タム・シンバル・ハイハットを組み合わせてダイナミックな効果をつけたり、ビート感やグルーブを重視するバンド編成の音楽によく使われます。見た目もセッティングもたいへん大掛かりな楽器ですが…こちらは至ってシンプル！丸い木枠の片面に皮を張っただけの直径14〜16インチの持ち運びサイズ…エジプト周辺では、Tar（タール）と呼ばれ、スティックやマレットを使わずに指先だけでいろんな音色・リズムを表現します。
If you mention the drum, you acquire the dynamic effect... combining the Tom-tom * cymbal * high hat and/or you are widely used in the beat impression and music of the band formation which seriously considers the groove. The eye and the setting which you saw are the serious large-scale musical instrument, but... as for this way reaching, simple! The around conveyance size Egypt of the sufficient diameter 14 - 16 inches which stretch the skin on the one side of the round wooden framework, the Tar (the tar) with it is called, without using the stick and the mallet the various timbre * rhythm is expressed with just fingertip.
タールの語源「Tar」という語は古代バビロニアから派生したそうです。
その後…古代エジプトでは「道」を指し示す言葉とされました。
中国語のTao(道)に非常によく似た響きがありますね。
一方インド・イラン（ペルシア）では、このTarは「弦」という意味で使われています。
古代シュメール文明では、象眼の壁画や楽器の胴にはめ込まれた絵などに
枠太鼓やタンバリンを打ちシストルムを振っている様子が描かれています。
The language, origin of a word " Tar " of the tar derived from ancient Babylonia, so is. After that... in ancient Egypt it made the word which indicates " the road ". Don't you think? there is the sound which is similar to the Tao (road) of the Chinese language very well. On one hand in India & Iran (Persia), as for this Tar it is used in the sense, " chord ". With ancient Sumerian civilization, the framework drum and the tambourine are struck in the mural of inlaying and the picture et cetera which is inserted into the torso of the musical instrument and the circumstances which shake the sistrum are drawn.
また中東には長い歴史に培われたいろいろなリズムがあります。 大航海時代に中南米から南米に伝わり土着の民俗と融合して、現在の音楽へ発展しました。 今日、私達が耳にするボサノバやレゲエ等も、そうしたクロスカルチャーの中で生まれたのです。
In addition there are various rhythms which are cultivated in long history in the Middle East. In large navigation age from Central and South America it was transmitted to the South America and fused with the ethnic custom of native origin, developed to present music. Today, being to be born in the cross culture such as that, it does also bossa nova and the reggae et cetera which we make the ear.
|
|
[戻る] 07.07/07更新
The drum quite like the tray... how doing, it hits the appearance?
力強く響く低音、澄んだ高音、皮を擦る音…タールは想像もできないほど、豊かな響きと音色が奏でられます。まるでメロディ楽器やオーケストラのように感じるほど自然に…そしてこの神秘的な音は…自分自身の心と内面に深く入り込んでいくのです。
The bass which echos strongly, the sound which rubs the treble and the skin which are clear... As for the tar cannot do either the imagination extent, rich sound and the timbre which playing and others it increases. Quite like melody musical instrument and orchestra being moved About naturally... and as for this mysterious sound... the heart by your With being to keep entering to the inside deeply, it does. |
 |
|
| |
ワンハンド奏法 伝統的なハンドフレームドラム（タール・ベンディール）スタイルです
The one-handed execution traditional hand frame drum (Tar * Bendir) style is
…まず太鼓のくぼみに左手の親指をかけます
…The thumb of the left hand is put on the dent of the drum first
…残りの指は表側（ヘッド）の縁に軽く添えます
…Grain side (the head) you attach the remaining finger to the edge lightly
…太鼓の裏側（響面）が体の外側に向くように構えましょう
…In order reverse side of the drum (the resounding/affecting aspect) to face outside the body, it will be ready
…左手だけで持てるように太鼓の重心を捉えましょう！
…As been able to have with just the left hand, center of gravity of the drum will be caught!
「ちゃんと持ててるかなぁ…がんばれ！…こんな感じ』
Being able to have properly, like this... persevering! Such you feel
* 片手で持つのが基本です。*
初めたばかりの頃は、指先に力が入ってあまり良い音がしません
さらにしばらくすると…左手がとても疲れてきます
そんな時は左手の上に太鼓を立ててのせ、倒れないようにバランスを取りながら
軽く指先で叩く練習をしてみましょう…太鼓が倒れなくなったら初心者は卒業です
* The fact that it has with the one hand is the basis.*
Just began power entering into the fingertip, excessively good sound does not do the time, Furthermore when it does for a while... the left hand very becomes tired While raising the drum on the left hand, placing such a time, in order not to collapse, taking balance, You will try doing the practice which is hit lightly with the fingertip when... the drum becomes unable to collapse, the beginner is graduation
慣れるまでは、次に紹介する叩き方でしばらく練習してみてください
Until it is accustomed, please try practicing for a while with method of hitting which is introduced next
ツーハンド奏法 もっともポピュラーなハンドフレームドラム（ダフ・レク）スタイルです
Two hand execution most popular the hand frame drum (Duff * Req) style is
…右手の親指を太鼓のリム（枠）に添えます
…The thumb of the right hand is attached the rim of the drum (the framework)
…左右の2点で重心を捉えるように
…Way center of gravity is caught in 2 points left and right
奏法のワンポイント…親指を支点にして手首を回転させながら叩きましょう
the one point of execution...While turning the wrist with the thumb as a fulcrum it will hit
タブラ奏法 座って叩く場合のハンドフレームドラム（タブラ・ダラブカ）スタイルです
Tabla execution sitting down, hand frame drum (Tabla * Drubuka) style is
…今までの持ち方を180度回転し太鼓を膝の上において叩きます
… The present having 180 degrees it turns and it hits the drum in on the knee
…太鼓全体を少し傾け響面が体の外側に向くようにしましょう
…The whole drum a little it will be able to tilt and the resounding
/affecting aspect that will try it faces outside the body
ハンドフレームドラムは、フレーム（枠）が固定されてしまうと響かなくなってしまいます
…フレームを押さえつけずに、ひざの上に軽くのせることを心がけましょう
The hand frame drum stops echoing, the frame (the framework) being locked, the stripe uninformed
.. Without holding down the frame, placing lightly on the knee heart per seat better
叩く位置は大きく分けて３箇所です。 ドゥン・エス・タ という固有の呼び名があります
The position where it hits separately is 3 places largely. There is a specific name, Dum * Es * Te
…太鼓の中心と外枠の中間を叩くと低い音が鳴ります。Ｄ（ドゥン）といいます
…When the center of the drum and center of the enclosure is hit, bass sounds. The D
…太鼓の中心を叩かずに押さえます。Ｅ（エス）といいます
… Without hitting the center of the drum, you hold down. The E
…太鼓の外枠の上(または縁)を叩くと高い音が鳴ります。Ｔ（タ）といいます
…When on the enclosure of the drum (or the edge) it hits, high sound sounds. The T
…この他にタク・ティク・テという言い方もありますがいづれも同じ音を指します [参考１]
…here is also an expression which is called to these other things the Taq * Tik * Ka but each of them points to the same sound
[RFC１]
[戻る]
ハンドフレームドラムは叩く時の手の形に特徴があります
As for the hand frame drum when hitting, there is a feature in shape of the hand
…指先を揃え、親指を広げ、泳ぐときのようなＬ字形にします(パドルと呼びます)
…It gathers the fingertip, expands the thumb, when swimming, it makes the L shape of character the way, (it calls the paddle)
…ミュートする時は、指を広げヘッドを押さえつけます
…When the mute doing, the finger is expanded and the head is held down
…Exactly like the Japanese hand drum (鼓：Tsutsumi)... from the inner part it hits to foreward
…ちょうど日本の鼓(ツツミ)のように…奥から手前へ叩きます
…Using the whole of the " shoulder * elbow * wrist " with the kind of image which is struck with the open hand, it will swing
リズムはＤ・Ｅ・Ｔの３つの音を組み合わせて表現します。
It expresses the rhythm combining three sounds of the D * E * T.
…中東ではリズムのことをＩｑａ（イカア）といいます
…In the East the Iqa (call Haq) with it means the thing of the rhythm
叩いて音が出ればいいじゃん！なんて怒ってしまった人もいるかもしれません。「手が痛くても〜イヤ！」なんて声も聞こえてきそうですが…でも？ちょっと待って…止めてしまう前にせっかくですから…次に紹介するリズムを叩いてみてください…ベレディはエジプト風という意味です。ナイル川流域のフォルクローレなどに良く登場するリズムです。豊かに流れるナイルの水面に舟を浮かべて遊ぶ古代のエジプト人の姿を思い描きながら叩いてみてましょう。
Hitting, sound should have come out is! How whether the person who gets angry it is, " The hand being painful, - No more! " Also how voice being audible, you rival, is, but... with? Just a little waiting, because... before stopping, with special care is... please tries hitting the rhythm which is introduced next... the Beledi in the sense, Egypt wind. It is the rhythm which appears well in the forklore and the like of the Nile river drainage basin. Floating the boat in the Nile water surface which flows richly, while imagining the form of the Egypt person of the ancient times when you play trying hitting, the better.
The Egyptian rhythm / Beledi
＿off＿ ＿off＿ ＿off＿
リズムは全部で８拍 １２３４５６７８と数えて…２と４と７拍目が休符（叩かない）となります
As for the rhythm 8 beats 1 2 3 4 5 6 7 8 counting at all... 2 and 4 and the 7th beat becomes OFF sign (not hitting)
いかがでしたか？砂漠の向こうにラクダやピラミッドが見えたでしょうか…もっとやってみたいという方はタールクラブセッションへ！
How was? Can you see the camel and the pyramid on the other side of the desert? or ... Would you like to try more ?TARCLUB sessionGo！
The 1000 of TAR Executive Committee
Copyright©TARCLUB All Rights Reserved.
[Return]